After the previous post we talked about Sony Ericsson Xperia X10 Pro Mini – black, Gateway NV59C09u laptop, and Samsung PN50C7000 TV,  This time I will return to a TV. TV which I will discuss this time is Sony Bravia XBR-52HX909. The last Sony TV we reviewed with superb picture quality was the ultra-expensive KDL-55XBR8 from 2008, which also and not coincidentally featured the company’s last example of a full-array local dimming LED backlight. That TV’s spiritual successor, equipped with a similar backlight, is the ultra-expensive XBR-HX909 series, but all told, its picture quality fares less favorably against the competition. It does deliver deliciously deep black levels but they come with too many compromises, including issues with blooming and color accuracy, for a TV at this price level.

If you extend your investment to include a pair or more of 3D glasses, an IR emitter, 3D content, and a device to play it, the Sony XBR-HX909 will deliver that third dimension to your brain. Many other 2010 TVs at this level are also 3D-compatible, and compared to the two we’ve tested, the HX909′s 3D image quality falls squarely in the middle. Its other notable attributes, including best-in-class design and oodles of streaming video, will appeal to many of the buyers able to afford it, but those seeking the best-available home theater picture quality will probably want to look elsewhere.

The XBR-HX909 series looks almost exactly like the company’s KDL-NX800 series we reviewed earlier. Both use Sony’s “Monolithic” design scheme, and we really like the effect.

The TV is featureless black slab when turned off, dominated by a single pane of glass that extends almost to the edge of the panel on all sides. A sliver of black metal edges the glass and wraps around the edges, so when seen from the side or top it complements the subtle brushed silver of the low-profile stand. The logos and indicators are nearly invisible, at least until the word “Sony” lights up after power-on (the light can be turned off). The stand can both swivel and tilt back slightly–we’re not sure why you’d want to tilt it however, since TVs are rarely mounted lower than the seating position.

Sony includes one of the best remotes we’ve ever used. The logically sized and placed, flush-yet-still-tactile keys emit a satisfying low-pitched click. The concave shape along the clicker’s length seems to send the thumb to the Home key and the middle of the big cursor control. We like the ability to control other devices via infrared or HDMI, but we wish the blue backlight also illuminated button labels other than “Home.”

The game-console-inspired XMB interface arranges the TV’s many Internet services, settings, inputs and miscellaneous doodads in an intuitive fashion, and while we’d love to see more customization and less clutter (how about the ability to “hide” unwanted interactive services or even entire verticals, such as the TV channels section, which is useless for cable-box users), the snappy navigation makes up for a lot. Shortcuts include a Favorites section that remembers oft-accessed inputs (you can also manually add items, like Netflix) and a context-sensitive Options section with quick access to scene modes, MotionFlow settings and Netflix options. In all, Sony’s interface is the most polished of any TV maker.

Although certainly well-equipped, the Sony XBR-HX909 lacks 3D glasses and an emitter, as well as built-in Wi-Fi, all of which are standard on the similarly-priced, flagship Sony XBR-LX900 series. On the other hand, the HX909 has our favorite type of LED backlight, known as full-array with local dimming (it uses standard white LEDs, not the Triluminous scheme found on 2008′s XBR8  series), while the LX900 is stuck with a traditional edge-lit LED backlight. That’s probably why the 52-inchers from each series cost the same–although at the HX909′s price, it’s still annoying to have to buy a separate IR emitter to sync the TV to the glasses. Every other non-Sony 3D TV we’ve seen, regardless of price, has the emitter built-in.

Sony offers a 2D-to-3D conversion system that can convert any video to 2D, while Panasonic’s 3D plasma does not. And unlike Samsung’s system, the one on the XBR-HX909 will also convert streaming 2D video, such as Netflix, YouTube, and yes, “Ford Models” et al, to 3D.

The array of mainstream (pun intended) video-streaming services is more comprehensive than most makers’, and while we’d like to see Vudu, with its high-quality streams, added to the list, Sony’s Qriocity service and Amazon, which also offers HD streams on demand, help make up for the lack. Sony has also fixed the video quality of Netflix streaming on the XBR-HX909, so now it performs as well as we expect for that service.

If mainstream isn’t your bag, Sony’s plethora of lesser-known video services, most of which are not found on other Internet-connected TVs, might appeal. The list includes names like the Minisode network, blip.tv, style.com, howcast.com, Dr. Oz, Michael Jackson, Dailymotion, Golflink.com and numerous video podcasts like Attack of the Show, Gadget Pron, CNN Daily and NASACast–and yes, “Ford Models.” Most are simply portals to the same videos found on the parent Web sites, and general video quality is poor. Sony offers a keyword search that covers most of the niche services, which reflect a similar zeitgeist to the web at large; there were 142 video results for an “iphone” search, for example. Unfortunately the search doesn’t cover YouTube, Netflix, Amazon, and other major services.

Audio is extensive as well, aside from the lack of Rhapsody, and NPR fans will appreciate the up-to-date service offering hundreds of audio snippets. There’s also a pay-per-listen classical music audio/video service from the Berlin Philharmonic. Sony has ditched Yahoo Widgets on the XBR-HX909, although numerous other Sony TVs, like the LX900, the KDL-NX800 series and the KDL-EX700 series, have them. As a result it lacks the array of utilities found on most competing TVs.

The only nonstreaming applications the TV offers deal with viewing photos from Web sites, and in that arena the HX909 excels (although we’d like to see Flickr added to the list). Still, if you want to check the weather on this TV, you’ll either have to get your app elsewhere–Verizon’s Fios service has widgets, for example–or actually tune to The Weather Channel and wait for the ticker to hit your city. The horror!

That nine-spot under “picture modes” isn’t a misprint; counting the three standard picture modes available from the main menu (Vivid, Standard and Custom) plus the six from the Scene Select menu (which also includes the nonadjustable Auto mode), tweakers have numerous adjustable presets to futz with. New for this year, Sony provides the choice of applying any preset, including any adjustments made to it, to just the current input or globally to all inputs. The result is a relatively confusing albeit staggeringly customizable array of settings, and we’re willing to bet folks who care deeply about having different settings for every input/situation will be OK with the complexity.

The XBR-HX909 lacks the kind of adjustable dejudder found on Samsung and LG, but it does offer an extra dejudder preset compared to last year. The four presets are called Standard, Smooth, Clear 1 and Clear 2. The latter two incorporate backlight scanning, where according to Sony, “the rows of the LEDs in the backlight light up sequentially from top to bottom,” which improves motion resolution. Clear 2 adds black-frame insertion, for what the company says is even better motion resolution, at the expense of some light output (a similar array of settings is found on Samsung’s 2010 LED models, although they addressed by separate controls). Like Samsung, Sony also sports two modes for LED local dimming, as well as the option to turn it off–although doing so obviates the purpose for paying extra for the HX909 in the first place. See performance for more details on how these settings affect image quality.

reference click here

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